As leader and main theoretician of Surrealism, director of myriad publications from the 1920s through the 1960s, poet André Breton was a prolific writer of prose. Author of numerous books, essays, and manifestoes, Breton periodically collected his most significant short essays into carefully arranged volumes. His last such collection, Cavalier Perspective, appeared posthumously in 1970; in it, editor Marguerite Bonnet assembled “articles, prefaces, responses to surveys, interviews,” written between 1952 and 1966. Modeled on its predecessors, Cavalier Perspective is considered Breton’s final book. Over 50 years after its initial publication, its appearance in English today is a crucial cultural event; here we encounter Breton writing on topics nearest to our present day and most relevant to current social and political issues. Cavalier Perspective finds Breton steadfastly pursuing his anti-fascist, anti-colonialist revolutionary aims in the age of weapons of mass destruction, climate change, and space exploration, concerns largely unknown during Surrealism’s more notorious interwar period. Far from conceding the movement’s claim to contemporary relevance, and pointedly refusing the imposition of “strict temporal limits,” Breton insists on Surrealism’s dynamic and dialectical position in the book’s titular manifesto, asserting its continuity through its perpetual capacity to respond to the needs of the hour. More than simply a poet and theoretician, Breton is best considered an “inaugurator of discourse” on the level of a Marx or Freud, and Cavalier Perspective is an essential capstone to his lifetime as the guiding hand behind the worldwide surrealist movement.