Following the highly influential ‘Decolonising the Camera: Photography in Racial Time’, this collection of essays, interviews and reflections gives new depth to Mark Sealy’s work challenging the legacies of colonial Othering in photography over a quarter of a century. Weaving together analyses of work by Black photographers in the UK and internationally, interviews with key figures and personal reflections on the changing landscape of Black photography, this book offers an exploration of the past, present and future of decolonial visual practices. Sealy marks out a new path for photography – jazz-like, sensorial and experimental – in order to free it from the classifying colonial lens, offering the reader the opportunity to move both conceptually and spiritually into new visual realms when reading an image. ‘Photography: Race, Rights and Representation’ is a vital addition to the decolonial project occurring in contemporary photography and visual practice from one of its leading curatorial figures.