While square critics derided them as “the left wing of the Beat Generation,” the multi-racial, working-class editorial groups of The Rebel Worker and its sister journal Heatwave in London became well known for their highly original revolutionary perspective, innovative social/cultural criticism, and uninhibited class-war humor. Rejecting traditional left dogma, and proudly affirming the influence of Bugs Bunny and the Incredible Hulk, these playful rebels against work expanded the critique of Capital into a critique of daily life and developed a truly radical theory and practice, rooted in poetry, provocation, blues, jazz and the pleasure principle. Active in strikes, free-speech fights and other tumults, they also introduced countless readers to important writings by and about surrealists, situationists, IWWs, anarchists, libertarian Marxists, Provos, the Japanese Zengakuren, and other political/cultural revolutionary-minded individuals and movements from all over the world. This lavish tome provides dozens of selections from all the editions of both journals, with a wealth of related documents, communiques and articles, a bibliography, and detailed introduc tions by the original editors.